After sending the first five or six songs to Karl-Jonas Winqvist (the ringleader / conductor of TSHO), they began to discuss working on the music together. With Yorkston’s shift from guitar to piano, they thought about what other changes they could make to their process which led to the involvement of a guest singer and the legendary Nina Persson (The Cardigans) was brought into the fold.
They followed the same methodology as The Wide, Wide River – apart from James, Nina and KJ, none of The Second Hand Orchestra had heard the music prior to entering the studio – and the arrangements were made up on the spot. Yorkston summarises: “Everyone who was playing in The Second Hand Orchestra, in their own way they are all unique and colourful players. There was no-one there who didn’t know what to do. I would bring them the songs, we would start one - I would play it, and second time round people would start singing and playing, and by the time we had done it three or four times we would hit record and we would be ready to go. And the thing that they all had was the ability to give each other space and to come up with their parts based on what other people were playing naturally was a very quick process, and they were all so open, nobody was egotistical. Everything was just happy. I love the wildness in it.”
Whilst there is a lightness in sound to The Great White Sea Eagle, there is a dark humour throughout and the album conveys a rich message about life and grief, family and nature. James’ song for Frightened Rabbit’s Scott Hutchison, “A Sweetness In You”, being one such moment. The Great White Sea Eagle follows the release of Yorkston’s second novel The Book of the Gaels, recently declared Book of the Month in The Times.