Obsessed with tinkering and discovery, she began building her own synths.
There is a complex, intuitive, and deeply personal nature to her music making. With a launchpad, keyboard and microphone she morphs her original cinematic classical compositions into electronica. More clues to her process can be found in her other mediums. As a practicing visual artist, her paintings emanate her deep connection to the process of mark making, both visually and sonically.
Her first full length, Serotonin II, is the fully realized result of this process, resonating with her “mutable self expression.” She describes this as “the stifling psychological haze turned into perfume.”