Opening with the precision synthetic melancholy of “Infinite Sadness,” the album marks a peak fluidity between the pair’s fusion of analog electronics and poetic melody, both refined and oblique, classic but contemporary. Wendelbo modeled her singing on “a young boy in a choir,” alternately holding notes and whispering them, with the lyrics clear, the voice elevated. McBride’s synthesizers serve as the perfect counterpart, tiered and polished, threading fluorescent architectures of a lost audio-visual age. Theirs is a darkwave of reverie and flickering city lights, swooning and sleek, romantic anthems for concrete bohemia, cigarette smoke in rainy gardens, and sound as color (“blue is fast and red is slow”). Vi/deo captures the bittersweet beauty of youth and utopias, the wistful transformation from miracle to memory, where love turns unreal and music becomes myth: “Sounds of the underground / Will echo in future days / Feelings of misery / Will fade into the haze.”
Limited edition blue vinyl, 600 copies.