Produced and recorded by Ripley Johnson (Moon Duo, Wooden Shjips) in Portland, and mixed by Chris Cohen, the album finds its niche in the hazy sonic landscape of private press country and psych records, and alongside artists like Relatively Clean Rivers, Jim Sullivan, Kenny Knight, and countless other explorers of the pastoral underground.
Ripley describes the album this way:
"The band was aiming to capture a timeless, natural sound, not quite of the present, past, or future, but phasing in between the consciousness of now and the stoned dream-state of the eternal. Sort of a back porch jam just as the shrooms are starting to kick in. Handmade and human, but also cosmic and transcendental. But the goal is to let the music speak for itself and hopefully find a weird and wonderful audience somewhere out there.”