The songs that eventually emerged are among Drive-By Truckers’ most direct and pointedly provocative, tackling the myriad horrors of our new normal through sincere emotion and unbridled heart. Indeed, “Armageddon’s Back in Town” takes a whirlwind joyride through the whiplash of events we collectively deal with each day while the concluding “Awaiting Resurrection” dives headfirst into the despair and pain roiled up by these troubled times.
“The past three-and-a-half years were among the most tumultuous our country has ever seen,” says Hood, “and the duality between the generally positive state of affairs within our band while watching so many things we care about being decimated and destroyed all around us informed the writing of this album to the core.
“While a quick glance might imply that we’re picking up where 2016’s AMERICAN BAND album left off, the differences are as telling as the similarities. If the last one was a warning shot hinting at a coming storm, this one was written in the wreckage and aftermath. I’ve always said that all of our records are political but I’ve also said that ‘politics is personal’. With that in mind, this album is especially personal.”
The remarkable songcraft found on THE UNRAVELING receives much of its musical muscle from the sheer strength of the current Drive-By Truckers line-up, with Hood and Cooley joined by bassist Matt Patton, keyboardist/multi-instrumentalist Jay Gonzalez, and drummer Brad Morgan – together, the longest-lasting iteration in the band’s almost 25-year history. The LP also features a number of special guests, including The Shins’ Patti King, violinist/string arranger Kyleen King (Brandi Carlile), and North Mississippi All-Stars’ Cody Dickinson, who contributes electric washboard to the strikingly direct “Babies In Cages.”